They have a pretty good range of them with a bunch of different capabilities. Look into the Godin piezo equipped guitars. The Ghost stuff is expensive, but I found the bridge I have on a really good sale at Sweetwater. It's pretty easy to retrofit a Graphtech piezo bridge onto a guitar if you want to try that path. Hard part here is getting it into an acoustic amp at a typical guitar store. If you can try out the PRS in person, do. (This is what the "Acoustic Guitar" factory preset on the EQ I make is actually for.) Because it is passive out of the guitar it can only have a short cable run before it needs to be buffered. You still have to EQ the piezo heavily to get it to sound good, but it does work. This is the best sounding piezo that I've found. I then run it into a splitter and into the interface or a pair of amps. The piezo on it is a Graphtech Ghost bridge that I run out completely passive on the ring of a TRS jack. The third guitar is a Warmoth that I built for this purpose. The goldfoil pickup actually gives a better acoustic tone than the piezo in my view. I've actually pulled the active electronics out of this guitar and replaced the magnetic pickup with a Supro goldfoil type. The EQ on the acoustic side was pretty good at making the piezo usable as an acoustic sound. This one was fun to play in a two amp setup with one being an acoustic amp. I've tried several different piezo setups on this and the best sounding was a Schatten Soundboard transducer. One is a Godin A6 Ultra that I found really cheap. The piezo sounded horrible on this guitar. One of them is now a fretless guitar that also has a 13-pin jack on it and is mainly used to do fretless synth stuff. I have 3 guitars with piezo/magnetic combos that run out in stereo. I think it can be amazing to have two simultaneous outputs (humbucker and piezo) that can be recorded and processed with different fx Anybody has already try it and can share experience? Be aware, too, that even with no "piezo quack" micing an acoustic with a Neuman 84 is going to give you a bright, hard sound, and a lot of the images available thru Fishman have that character.I fall in love "on paper" with the PRS SE hollowbody II piezo. The Body Rez pedal, and the technology that they've built into the "Play Acoustic" are similar, but diluted down a bit. Got a Jumbo you want to sound like a resonator? You can do that too. Got a solid-body you want to sound like a Gibson Jumbo? Done. Dtar Mama Bear-this is the same basic technology as the Aura, with the advantage that they've tweaked the IRs so that you can adjust both the input and output targets. Since the effect works the best if the input (piezo signal) and the output (guitar model) match, it's not perfect for a solid body.ģ. You can EQ it and mix the "image" with your dry signal, add compression, even rudimentary feedback notching. Fishman Aura preamps-these use a technology that essentially triggers an IR of an acoustic guitar when you play into it. The WMD EQ is the smallest, quietest and best sounding I've used.Ģ. Parametric EQ-This allows you to shape the eq curve to tune out some quack, add some low end resonance and some high end sparkle (so you need 3 bands). I fought with this for years, and in ascending order, here are my best suggestions:ġ. The problem with a solid-body guitar and piezo is that there simply isn't any resonance to counteract the quack.
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